A Holy Grail ‘Missa’ at Disney Hall
/The large-scale Missa Solemnis featured 125 voices from Barcelona's Orfeó Català and the Cor de Cambra del Palau de la Música Catalana…
Read MoreConcert and opera reviews from Southern California.
The large-scale Missa Solemnis featured 125 voices from Barcelona's Orfeó Català and the Cor de Cambra del Palau de la Música Catalana…
Read MoreUnder maestro St. Clair, the orchestral playing was lyrical, opulent, gleaming. The accompaniment to the “Sanctus” chorus and the “Dies irae” sections was splendidly apocalyptic.
Read MoreThe choral singing was quite exceptional – admirable clarity, flexibility and crisp diction in the thorniest fugues
Read MoreMarco Barricelli could not erase the memory of F. Murray Abraham; nonetheless, he managed to inject some semblance of humanity into the Hollywood caricature of Salieri’s character.
Read MoreEsmail’s musical style is unabashedly melodic, a beautifully seamless fusion of Western and Eastern (Indian) classical traditions.
Read MoreMozart’s sacred choral works, performed on period instruments and sung by light, agile voices, transforming the Segerstrom Concert Hall quite literally into a temple of music.
Read MoreAfter the opening concert, the Master Chorale will resume their Lagrime di San Pietro world tour, jet-setting between L.A. and cities in Australia, Mexico and Europe.
Read MoreThe 'street people' chorus, in Christine Crook's psychedelically colorful hippie costumes, were as brutally relentless as McKinny's celebrant was serenely spiritual in his "A Simple Song".
Read MoreAt each concert, Yuja gave the audience their money’s worth – mind-blowing flashy encores of Mozart’s Turkish rondo and Carmen variations, in her own virtuoso improvisational style...
Read MoreThe Cantorey’s 31-member choir and 30-player Baroque orchestra were the perfect size to convey the work’s grandeur without sacrificing the agility and clarity in the 4- and 5-part choruses
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