Choreographer Kitty McNamee transforms the traditionally gypsy dance in the party scene into a Gatsby-like dance party of flapper showgirls, a jazz band, and fashionable partygoers in their chiffons and velvet.
Read MoreIn his 151st career role, Maestro Domingo plays the title role of Juanillo, an outlaw known by the nickname “El Gato” (the “wildcat”).
Read MoreOne was impressed with their very smooth and articulate ensemble playing, particularly in the soft passages, and the powerful, but not over-driven, climaxes.
Read MoreThe relatively unknown pianist, Víkingur Ólafsson, has made a name for himself in his native Iceland playing J.S. Bach and Philip Glass
Read MoreViolinist Patricia Kopatchinskaja’s “unique interpretation” of Tchaikovsky’s Concerto and Esa-Pekka Salonen’s explosive The Rite of Spring.
Read MoreHélène Grimaud was the soloist in Ravel’s Piano Concerto in G-Major. She brought her own individual stamp of crisp articulation and unsentimental phrasing to the piece
Read MoreVisually, the LA Opera production is a stunner. The grand mise-en-scène of Thaddeus Strassberger, dramatic lighting of JAX Messenger, and brilliant costumes by Mattie Ullrich all come together to evoke the classical grandeur of Ancient Rome.
Read MoreKorean lyric soprano Yunah Lee is a touching, detailed and delicate Cio-Cio-San, more adapt, perhaps, in emotional force and tragic power of Acts II and III than as a fifteen-year-old Geisha girl of Act I.
Read MoreTo Los Angeles, conductor Simone Young brought her keen sense of drama and theatricality to the music of Britten and Strauss.
Read MoreBeyond all the pomp, comedy and magic, John Williams’ music is also capable of great emotion, as evidenced in the Theme from Schindler’s Lis, played poignantly by violinist Simone Porter.
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