Amateur Orchestra Impresses in All-Beethoven Concert
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Vicente Chamber Orchestra's musicians are lawyers, doctors, tech executives, etc. – serious dilettantes who dream of playing in an orchestra.
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Great Music and Singing Bring Life to a Morbid 'La Bohème'
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Barrie Kosky's production is a not-completely-traditional production with a few surprises along the way.
Read MoreSet in the Roaring Twenties, LA Opera's Art Deco 'Traviata' is a Rip-Roaring Success
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Choreographer Kitty McNamee transforms the traditionally gypsy dance in the party scene into a Gatsby-like dance party of flapper showgirls, a jazz band, and fashionable partygoers in their chiffons and velvet.
Read MorePlácido Domingo in Full Control of LA Opera’s ‘Wild Cat’
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In his 151st career role, Maestro Domingo plays the title role of Juanillo, an outlaw known by the nickname “El Gato” (the “wildcat”).
Read MoreTetzlaff Trio at the Wallis, Polished with a Passion
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One was impressed with their very smooth and articulate ensemble playing, particularly in the soft passages, and the powerful, but not over-driven, climaxes.
Read MoreOn Easter Sunday, Icelandic Pianist Víkingur Ólafsson Plays Evangelist for Bach
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The relatively unknown pianist, Víkingur Ólafsson, has made a name for himself in his native Iceland playing J.S. Bach and Philip Glass
Read MoreLA Phil Hits High and Low Notes with Wayward Tchaikovsky and Explosive Rite of Spring
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Violinist Patricia Kopatchinskaja’s “unique interpretation” of Tchaikovsky’s Concerto and Esa-Pekka Salonen’s explosive The Rite of Spring.
Read MoreA Frenchman In America Plays Gershwin and Ravel
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Hélène Grimaud was the soloist in Ravel’s Piano Concerto in G-Major. She brought her own individual stamp of crisp articulation and unsentimental phrasing to the piece
Read MoreAncient Rome Is New Again in L.A. Opera’s ‘Clemenza di Tito’
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Visually, the LA Opera production is a stunner. The grand mise-en-scène of Thaddeus Strassberger, dramatic lighting of JAX Messenger, and brilliant costumes by Mattie Ullrich all come together to evoke the classical grandeur of Ancient Rome.
Read MorePacific Symphony’s “Butterfly” Soars to Tragic Heights
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Korean lyric soprano Yunah Lee is a touching, detailed and delicate Cio-Cio-San, more adapt, perhaps, in emotional force and tragic power of Acts II and III than as a fifteen-year-old Geisha girl of Act I.
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