Met's 'Fidelio' Triumphs Despite Untidy Conducting
/The hero of the evening was the chorus, due in part to its radiant tone, but due primarily to the superlative leadership of its director, Tilman Michael and his musical prepararion.
Read MoreThe hero of the evening was the chorus, due in part to its radiant tone, but due primarily to the superlative leadership of its director, Tilman Michael and his musical prepararion.
Read MoreThe extended silence Mozart asks for, just before the Countess forgives her husband was especially moving, giving the necessary dramatic weight that Susanna Phillips’ singing alone might not have carried.
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