LA Opera Gala Concert, a Farewell and a Milestone
/Each half of the concert began with a video of Mr. Conlon’s career overview and congratulatory messages from his colleagues (including, surprisingly, Placido Domingo!)
Read MoreConcert and opera reviews from Southern California.
Each half of the concert began with a video of Mr. Conlon’s career overview and congratulatory messages from his colleagues (including, surprisingly, Placido Domingo!)
Read MoreThe production itself is a happy resurrection of the late Lee Blakeley's 2013 staging; it is handsome, well-crafted, sensitive, straightforward, and without an ounce of directorial pretention.
Read MoreThe LA Opera staging recreates the original 1950’s New York set and costumes from Chicago...The blue jeans and tenement housing fire escapes onstage contrasted sharply with the elegantly dressed opening night audience
Read MoreRachel Willis-Sørensen, the Violetta, is a vivid and passionate artist, with a gleaming presence, a voice both flexible and lustrous, and strong musical and dramatic instincts.
Read MoreIn John Cox’ revisionist staging, portable heat lamps replaced campfire in “Fuoco di gioia”; a desk and chairs replaced Desdemona’s bed and pillows…
Read MoreThe director presented a dreamlike drama played by “real people” with naturalness of acting, and the musical standards were very high…
Read MoreAs LA Opera’s fourth mainstage production of the season, this all-new Marriage of Figaro is as distinguished as one could hope to see anywhere...
Read MoreBarrie Kosky's production is a not-completely-traditional production with a few surprises along the way.
Read MoreDoug Fitch's production features colorful visuals – fantastical creatures of the forest, lush sylvan scenery, fanciful costumes and elaborate video projection special effects.
Read MoreAt age 51, Ms. Racette still sounds and looks fabulous, requiring little suspension of belief on the part of the opera-goer.
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