LA Opera Revives Its Enchanting ‘Romeo and Juliet’ with a Winning Cast
/The large international cast are stylish in their French singing and idiomatic in conveying the French text despite not one singer is French…
Read MoreConcert and opera reviews from Southern California.
The large international cast are stylish in their French singing and idiomatic in conveying the French text despite not one singer is French…
Read MoreWeekend of October 26-27: Korngold and Mahler at Pasadena Symphony, Angela Gheorghiu in Santa Monica, Hollywood and Mexican film music at LA Phil
Read MorePatricia Kopatchinskaja was the soloist for the Shostakovich Violin Concerto No. 1. Her idiosyncratic, barefooted, neurotic manner of playing is by now familiar to her followers (and detractors).
Read MoreIn the big, Romantic concerto of Rachmaninoff, Lang Lang was thoroughly in his element and absolutely thrilling to behold. There were many fine qualities in Lang Lang’s Rachmaninoff Second.
Read MoreClaire Huangci was the pianist for Rachmaninoff’s Rhapsody on a Theme by Paganini. Her virtuoso playing showed tremendous youthful enthusiasm and energy, at the same time engaging in subtle dialog with the orchestra.
Read MoreThe actions take place on a Burbank soundstage in the 1930’s,...everything appears glossy, glitzy and artfully designed, down to the Art Deco Tiffany panels that look more Hollywood than Nagasaki.
Read MoreThe first concert of Camerata Pacifica's 2024/25 season is an all-French program of Ravel and Debussy, featuring pianist Gilles Vonsattel, violinist Paul Huang and cellist Santiago Cañón-Valencia.
Read MoreL.A. Phil's final three summer concerts at the Bowl featured Rihab Chaieb's Carmen, Diana Damrau singing Viennese operetta, and L.A. Master Chorale in Bernstein's Chichester Psalms and Beethoven Ninth - all conducted by Gustavo Dudamel
Read MoreMidori played Dvořák on 8/20 and Yunchan Lim played Beethoven "Emperor" on 8/29 at the Hollywood Bowl
Read MoreBeing a concertmaster by profession Chalifour is not a flashy player, his playing virtuosic but unaffected, his musicianship pure and honest; the violin tone in the Sheherazade-like slow movement was silky and sensuous…
Read MoreCLASSICAL VOICE - Lifestyle Blog for Serious Classical Music and Opera Lovers