A Stirring Mozart Requiem Opens LA Master Chorale New Season
/After the opening concert, the Master Chorale will resume their Lagrime di San Pietro world tour, jet-setting between L.A. and cities in Australia, Mexico and Europe.
Read MoreConcert and opera reviews from Southern California.
After the opening concert, the Master Chorale will resume their Lagrime di San Pietro world tour, jet-setting between L.A. and cities in Australia, Mexico and Europe.
Read MoreBritish guest conductor/humorist Bramwell Tovey is a perennial favorite at LA Phil, not only for his considerable musical acumen, but also for his endless supply of jokes and anecdotes.
Read MoreTuesday night at the Hollywood Bowl featured two powerhouse names in classical music – Itzhak Perlman and Gustavo Dudamel. The music-making, however, was pleasantly low-key and congenial.
Read MoreFor the Sunday performance of Verdi’s “Otello”, the sound engineers clearly flattered the dynamic conducting of Gustavo Dudamel. The results were some incredibly exciting passages…
Read MoreTV actress Sutton Foster and Broadway veteran Brian Stokes Mitchell made a delightful, winsome couple in musical numbers from On the Town (1944) and Wonderful Town (1953).
Read MoreThis month, the LA Phil put Schumann front and center in a comprehensive survey of his works, including an illuminating talk by Dr. Richard Kogan on mental illness and creativity.
Read MoreLike the happy-go-lucky Duke of Mantua in Act II of the opera, the curse was lifted by the opening night and, judging from the winning performance last evening, “Rigoletto” is probably the finest, most compelling show of the current opera season.
Read MoreBychkov’s version of Antonin Dvořák’s Symphony No. 7 was decidedly not your grandfather’s mellow, good-natured walk in the Bohemian forest. Rather, it was fiery, edgy, dramatic…
Read MoreWhen the 71-year-old pianist André Watts sat down to play, he immediately commanded attention by the sheer scale of the sound he produced – big, bold, effusive.
Read MoreBernstein’s work is a bold liturgical work for the common men, while Beethoven’s Ninth is a quasi-religious paean of universal brotherhood. Together, they formed a musical bond…
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