Concert and opera reviews from Southern California.
The English Consort, joining forces with the Clarion Choir and an international lineup of soloists, performed it complete. At nearly three hours, the oratorio seemed not at all long.
Read MoreJoining Gheorghiu were her fellow compatriots pianist Alexandra Dariescu and violinist Alexandru Tomescu.
Read MoreAs LA Opera’s fourth mainstage production of the season, this all-new Marriage of Figaro is as distinguished as one could hope to see anywhere...
Read MoreIt was Gustavo Dudamel’s first Wagnerian outing at the Disney Hall and he conducted like a pro, unleashing stunning intensity and incandescent beauty from the L.A. Phil.
Read MoreMusically, this new Tosca cast is perhaps more exciting than the last. Angel Blue, singing her first Tosca in L.A., commands a fresh and bright soprano voice…
Read MoreRhiannon Giddens’ libretto successfully condenses Said’s book into a series of dramatic scenes that culminate in the unforgettable Act II slave auction scene…
Read MoreHonorable mention also goes to L.A. Opera’s new chorus director Jeremy Frank, who enlivens many scenes with choruses that are fully engaging and energetic.
Read MoreYuval Sharon’s electronic “décor” is probably closer to Wagner’s scenic directions than that of many a contemporary (or traditional) production.
Read MoreThe flame burns the brightest with the Radames of tenor Russell Thomas, who combines elegance with fire, in phrasing and in control of dynamics.
Read MoreMany in the audience were enjoying themselves and applauding in sign language (shaking both hands in the air)…
Read MoreCLASSICAL VOICE - Lifestyle Blog for Serious Classical Music and Opera Lovers
