Murray Perahia
visits UCLA in
style
By Truman
C. Wang
Thursday, April 15, 2004
UCLAlive Presents:
|
Beethoven: |
|
Piano Sonata No. 16 in G major,
Op. 31 No. 1 |
| Schumann: |
|
Fantasiestücke,
Op. 12 |
|
Brahms: |
|
Variations and Fugue on a theme by
Handel, Op. 24 |
MURRAY PERAHIA, piano
Royce Hall, UCLA

his was pianist Murray Perahia's second visit to So Cal in six
months. A recital at UCLA's Royce Hall means the instrumentalist
will have to work extra hard to register an impact, compared to the
vocalist, who has much flattering acoustics to work with.
Certainly, the serious program of Beethoven,
Schumann and Brahms required that nothing be left to chance.
Every phrasing and dynamic marking were scrupulously observed, every
musical vignette vividly brought to life. In the Op. 12
Fantasiestücke, we heard highly
impassioned playing ("In der Nacht") alternating with
gossamer-textured filigreed passagework ("Fabel") -- it was a
musical poet's vision of heaven on earth.
The Beethoven G-major sonata (Op. 31 No. 1) was
similarly plunged into a passionate frenzy from the outset -- firmly
planting Beethoven in the Romantic period -- in the process losing
much of the work's mercurial lightness and Haydnesque humor as a
result. The second movement is brimming with comedic and
buffa elements (e.g., the tip-toeing passages and tripping
descending scales) and would have benefited from a lighter treatment
by Mr. Perahia.
After the intermission, we were treated to
Brahms' dazzling variations & fugue on a Handel theme (Op. 24).
The playing was absolutely brilliant, of course, but the emotions
were surprisingly reined in, as if the pianist found it
uncomfortable straddling one foot in the Baroque period and one foot
in the Romantic.
At this stage of his career, Mr. Perahia is
clearly above reproach in his choice of repertoire and
interpretation. One can always expect from this superb artist
the sheer joy and immense inner wisdom in every work he performs.
In the encore, Schubert's Impromptu (Op.90 No.4), Mr. Perahia
combined an easy elegance with utmost poetic sophistication that
firmly placed him among the greatest pianists of our time.
Truman C. Wang is editor
of Classical Voice, whose articles have appeared in the San Gabriel
Valley Tribune, the Pasadena Star-News and other Southern California
publications.
|