An Evening of WATER
MUSIC
| Biber |
|
Battaglia |
|
Handel |
|
Suite in G from "Water Music" |
| Telemann |
|
Concerto for Flute & Recorder |
| Vivaldi |
|
Concerto, "La Tempesta del Mare" |
| Telemann |
|
The Hamburg Water Music |
Martin Haselböck,
conductor
Marion Verbruggen, recorders
Stephen Schultz, flute
Performance of Saturday, Oct 21,
2006 at Zipper Hall,
Colburn School of Music
|
ithin a few short years,
Musica Angelica has quickly
established itself as one of the finest period-instrument
ensembles on the West Coast. At the Colburn School’s Zipper
Hall last Saturday, its first concert of the new season featured
a watery-themed program that was anything but watered down. On
the contrary, it had the real excitement of swashbuckling on the
high sea. |
In this case, however, the swashbuckler’s
weapon was not a sword – but a recorder (two in fact, one soprano
and one alto). In the hands of Dutch virtuoso Marion Verbruggen,
the normally wan and reedy-sounding recorder suddenly became an
instrument of fire and temperament, ready to do battle in Biber’s
(pronounced bee-bur) Battaglia or dance to the rustic
strains of Handel’s Minute in the Water Music. Ms.
Verbruggen’s animated playing was enormously entertaining to watch,
and the recorder seems to be just an extension of her effervescent
personality.
Flutist Stephen Schultz’s sweet, mellow
sound complemented nicely the flighty recorder in Telemann’s
Concerto for Flute and Recorder. Conductor Martin
Haselböck again proved to be a capable Kapellmeister, who kept
the ‘water’ flowing and burbling swiftly (perhaps too swiftly in the
Handel). The 17 virtuoso players of Musica Angelica were, as
always, splendid in their attacks and precision.
But the greatest accolade must go to Ms.
Verbruggen for this magical concert.
Truman C. Wang is editor-in-chief of Classical Voice,
whose articles have appeared in the San Gabriel Valley Tribune, the
Pasadena Star-News and other Southern California publications.
|